Reggy van young tin lizzy
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We’d hang out at Carnaby Street every Saturday afternoon in our crumpled zoot suits and just loon about watching in awe as Stevie Marriot and co would bebuying all the latest clobber from Lord John. “We were Small Faces mad but at the same time also loved The Beatles.
#REGGY VAN YOUNG TIN LIZZY MOD#
“It all came together through a mutual love of soul, Stax, Motown and the whole mod thing,” recalls Bromham, the chirpy and affable unsung axe hero. LET’S go back some 40 years to the West London suburbs of Acton and the Christopher Wren Secondary Modern school, where a mutual love of music had bonded a trio of 11 year old school friends, vocalist Steve Gadd, bassist Gary G Giles and the only constant mainStray, Del (Derek) Bromham. As a mere 12 year old, I vividly remember going to the Harlequin record store in the Haymarket to buy Led Zep 3 – but hearing Stray’s wondrous headbanging freakout blasting from the speakers was more than enough evidence to convince me that I was about to make the wrong purchase! It was that very same epic that first alerted me to the major talents of these masterful riff kings, once stupidly labelled by the day’s critics as the ‘Poor Man’s Status Quo’. Indeed, Maiden covered Stray’s anthem All In Your Mind in 1990 as the B side of Holy Smoke.
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They were arguably Britain’s hardest working live band, clocking up over 300 gigs a year, rewarding them with a celebrity fan base which included Julian Cope, XTC’s Colin Moulding, The Damned’s Captain Sensible, Neil Peart from Rush and in particular rock gods Iron Maiden, whose mainstay bassist Steve Harris once famously told a reporter: “Had it not been for those guys, who knows where I’d be now, I owe them a massive debt”. Last year Sanctuary began an ongoing reissue programme of their eight studio albums, with bonus tracks, and belatedly this fine band are currently attracting a resurgence of new listeners. Yet they recorded some of the era’s finest albums, all brimming with a very British mix of imagination, depth, feeling and above all – from such young men- outstanding musicianship. To today’s audience, Stray may not be up there in the pantheon of late 60s/early 70s heavy rock gods like Zep and The Sabs.
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